Mary Shelley: Submissive Women in Writing

In the writing of Mary Shelleys Frankenstein or, The moderne Prometheus, she creates four subordinate womanish characters whole of who are negatively affected by the hands of original Frankenstein. These four unassertive effeminate characters are Agatha, Safie, Elizabeth, and Justine.Each of these women is proposed as passive vocalize and n whizssential. The women, Agatha, Safie, Elizabeth, and Justine, make a pathway for the cosmea of accomplishment for male characters. The actions that happen with/to these women negatively affect them for the purpose of education superstar of the male characters a lesson or inflicting compact emotions to the male characters.Agathas purpose to military personnel in this book was teaching the hulk. The daughter Agatha was young, and of gentle demeanourshe looked patient, yet sad. (Shelley 75, 76). Agatha teaches the junkie more things aroundly by him observant her interactions with her blind father and studying her actions and manne risms. Agatha listened with respect, her eye sometimes filled with tears, which she endeavored to wipe outside unperceived(Shelley 80). Agatha teaches the monster about respect, sensitivity, and humane relationships.Safie, a close friend of the De Laceys, comes on horseback to the cottage. Safie is Arabian and doesnt spot or understand english, so the De Laceys give her lessons. Safies lessons in row and culture become the monsters lessons as well. My days were spent in close attention I modify more rapidly than the ArabianI comprehended and could imitate almost any word that was spoken I in any case learned the science of letters(Shelley 85). Safie is some other passive effeminate character that caused action by the monster. To the audience it is insignificant conditions or not Safie learns english, but it is furthering the monsters education. Thus it was for the sake of teaching a male character a lesson and of no real benefit to the female person character.Justine is uni tary of the most passive, submissive female characters and hardly even has a voice in the fable. Justine is ultimately framed for the make of William Frankenstein, yet she remains collected and serene. Justinehandles herself with h over even with her unfortunate circumstances.God whaps how only I am innocent I rest my innocence on a plain and simple explanation of the facts which subscribe been adduced against me(Shelley 56). Justines purpose becomes clear when she is framed. She becomes static, a victim of her circumstance.Mary Shelley describes Elizabeth as submissive and tender. Elizabeth is the most influential character associated with Victor Frankenstein, create a roller coaster of emotions. Mary Shelley writes Elizabeths submissiveness quite obviously when she says, she presented Elizabeth to me as her promised gift, I Victor, with childish seriousness, interpreted her words literally, and looked upon Elizabeth as minesince till death she was to be mine only(Shelley 19 ).This belittles Elizabeth and essentially makes her a victim of the monster because of her relationship with Victor. redden when the monster threatens Elizabeth, Victor doesnt evidence to protect her entirely, and puts his frustration with the monster over Elizabeth. Elizabeth is belittled along with the other female characters, making them mere tools to get avenge.There is one more hidden female character, without whom, the novel would not succeed. Margret Saville is the most passive, submissive female character. There is no way to know if she even exists entirely, but her significance is one of great magnitude.Margret Saville is the reason Robert Walton writes the letters explaining what has happened and what Victor has told him, thus creating the whole story. Margret is so submissive that she doesnt even get a voice in the novel on that point is never a response from her.Mary Shelley created many submissive female characters, all of whom were used, objectified, and outcast after greatly impacting mans life. They are used as tools of revenge and decried for the works of the men who used them.